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Baroja is careful to strip the Carlists of their notorious machista appearance, in his vision reduced to cowardly brutality. Not only they can not wage the war like men, pursuing cowardly tactics and harassing women and children, but they are also beaten in one-to-one juvenile fistfights and lose miserably in pelota ; of course, they are neither a match for their opponents when it comes to attracting females. He was identified, personally and as enemy of religion and Carlism, and at a roadside he was held by the Carlists at gunpoint.

Following a brief discussion whether he should be executed, the year-old got off with a punch in the face.

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The most explicit case is La catedral ; the work is resemblant of an old-style militant assault rather than of the Modernist ambiguous discourse, as the Carlists are portrayed typically as hypocrites, who in the name of God engage in most ungodly atrocities or simply indulge in most earthly pleasures. Ciro Bayo [] released Dorregaray. Joan Bardina during his Carlist phase in the s fathered politically very militant and exalted poems [] and satires, yet they remain unknown even in the Catalan literature.

As author of heterogeneous short pieces Recorts de la darrera carlinada he is compared to such authors of war stories as Hemingway or Babel , [] while his novel La Punyalada is counted among masterpieces of Catalan literature of all time. Spanish literature of the 20th century poses a major problem in terms of periodisation, with many conflicting proposals offered; it seems close to impossible to single out an aesthetic literary trend generally accepted as prevailing or even to specify temporal borderlines for any given period, regardless of its would-be name.


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Harboring a concept of violent clash as unavoidable outcome of current crisis, from the late regeneracionistas to the personalities of the Second Republic, is at times dubbed "catastrofismo". The Civil War produced a brief spate of literature intended to mobilise support for the belligerent parties, including the Carlists. Unamuno has abandoned the Carlist motive, though he kept tackling the phenomenon in his treaties and studies.

One of few rare cases of Carlism featured as key motive in writings of a literary giant who did not come from a Hispanic culture is The Arrow of Gold by Joseph Conrad The Polish-English writer claimed he had been himself involved in smuggling arms for the rebels along the Mediterranean coast during the Third Carlist War, yet historians of literature do not agree whether these claims should be taken seriously.

The Arrow of Gold seems heavily based on these juvenile experiences, yet Carlism serves mostly as a background evoking an atmosphere of mystery. It is difficult to find either particular sympathy or particular hostility for the movement, yet many scholars claim that the key protagonist considered Conrad's alter-ego was cynically used by Carlist conspirators.

Overall, the novel is considered a treaty on "emotional boundary between people"; [] Conrad has never again displayed any literary interest in Spanish issues. Carlism attracted also another English writer, at that time yet to become eminent, Graham Greene. Either in the late s or in the very early s he wrote The Episode , the novel which traced the experiences of an idealistic young man against very loose background of revolutionary turmoil in the 19th-century Spain; the narrative contained non-marginal Carlist threads.

Another foreigner who demonstrated interest in Carlism was Pierre Benoit , one of the most-read French writers of the 20th century and himself a Traditionalist; he adhered to its specific secular breed, in France shaped by the personality of Charles Maurras. His Pour don Carlos was marked by Benoit's trademark style: well-constructed adventurous plot combined with good historiographic research and somewhat simplified psychology; in terms of political sympathies it clearly hailed the legitimist cause. He is worth noting because some of his novels, e. El abuelo del rey , provide a veiled discourse on tradition and change with Traditionalism present in the background.

Moreover, in his later novels some of his Carlist personalities, like Don Alvaro from Nuestro Padre San Daniel and El obispo leproso escape the usual scheme and provide an ambiguous and rather mysterious point of reference. In El barrio maldito he portrays the province as held in reactionary grip of the Carlists, who themselves are traditionally presented as hyprocrytes; [] in Centauros del Pirineo in a somewhat Barojian manner he hailed smugglers, who represent "sensibilidad fina, moderna, europea" as opposed to "elemento tradicionalista".

Drama lost importance as political battleground already in the midth century, yet echoes of Carlism-related debates were heard also among the playwrights. Among the spate of pro- Republican theatrical pieces of the s or even more militantly left-wing dramas of the early s many contained more or less explicit Carlist threads. In three first decades of the 20th century he was contributing as a prosaist and publisher, though especially as a playwright; his dramas embrace religious topics in historical setting, like La Reina Lupa The outbreak of the warfare triggered a spate of literary works intended to mobilize support and sustain enthusiasm.

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Literary production of the Republicans remained far lower than on the opposite side; in none of some 30 works identified there is a Carlist personaje worth noting, [] though some feature Carlist themes, like A sangre y fuego by Manuel Chaves Nogales [] or Loretxo by Txomin Arruti The Carlist theme attracted also few less-known writers, though. Terminology and periodization problems related to history of Spanish literature in the 20th century apply also to the years after the Civil War.

Alternative designations applied to culture of the era are "nacionalcatolicismo" [] or "fascismo", [] though both are disputed. In terms of the Carlist motive in literature, the period is marked by a specific approach, which was heavily related to official control over cultural life and which reflected political role of Carlism in the Francoist Spain. Carlism was welcome when presented as a glorious movement of the past; on the other hand, Carlism was unwelcome as a cultural proposal for the present. During first decades of post-war Spain the trend which clearly prevailed when it comes to the Carlist theme was continuation of the wartime-style novels; it was visible in the s but started to dry out and disappeared almost completely in the s.

None of the key features changed: nagging moralising objectives, sketchy and Manichean characters, Civil War setting, lively yet predictable plot. Casariego kept writing, but the most successful of his wartime novels, Con la vida hicieron fuego , did not contain Carlist threads. Re-published a number of times and translated into French, English, German and Italian, it featured a fisherman's son turned navy commander; the novel soon served as screenplay for a movie.

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Carlism in literature In the end, turnip oil is adopted. Bronx D. Services on Demand. Navigation menu. Product details! String Quartet No.


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  5. Buenos Aires - Wikipedia. Buying Options Moreover, in his later novels some of his Carlist personalities, like Don Alvaro from Nuestro Padre San Daniel and El obispo leproso escape the usual scheme and provide an ambiguous and rather mysterious point of reference. The novels of Jaime del Burgo assumed a heterogeneous format. It was neither a science nor a doctrine as it was in Prussia, but a tool for administrative rationalization.

    In other words, policing during the late 18th century can be defined as the "practical knowledge" of managing populations and urban territories. Our hypothesis is that the street lighting in Mexico City became one of the main stakes in the modernization of the agency and functions of the police. However, the terminology must first be clarified by distinguishing between "public lighting" and "illumination".

    Public lighting is fixed, permanent and uniform, is based on its own structure financing, maintenance and lighting personnel, warehouses for the storage of equipment, etc. It is also historically dateable, and appears to be the great innovation of the 18th century with regard to policing. It must be distinguished from illumination, which is ephemeral and punctual, takes place during special occasions such as religious festivals or royal ceremonies , and whose function is to highlight and draw attention to power In this case, however, there was also a simultaneous restoration of order in the capital, ordered by the ministers Esquilache and Sabatini under Charles III , and the installation of permanent public lighting It was during this time that the first street lamps were installed in the capitals of Europe This measure was part of a wide range of steps aimed at improving urban order: cleanliness, street paving, fire fighting, reinforced tavern control, the redevelopment of the Plaza Mayor, the removal of stray dogs, the pursuit of criminals and vagrants, the use of soldiers for law enforcement purposes, and increased patrolling.

    Street lighting arose from this takeover of urban order that characterized the end of the 18th century But the regulation of established lighting as more than just a measure intended to prevent misdemeanors and crimes; it was also, as stated in its introduction, the "very foundation of all other police measures, because it attacks vices at their root". In so doing, the modernization and upgrading of the framework of the urban population was based on the prior installation of public lighting.

    This did not happen in one day; in Mexico City, the process lasted for almost 30 years, from the s to the s, and was largely a process of trial and error, filled with abortive projects and unsuccessful attempts. What may appear today as a banal urban device how can a city function at night without lighting? Permanent lighting the streets implied facing the technical, financial and cultural challenges that we will now present. These regulations were issued during the last third of the 18 th century The differences between these regulations emphasize the experimental nature of the establishment of a permanent lighting system.

    The regulation, for example, regulated the price of lighting equipment, the regulation focused on buildings that needed to be illuminated as a matter of priority, and the regulation extended the duration of lighting and declared sentences against those who destroyed the lanterns It is remarkable that this regulation preceded the first Madrid settlement of Perhaps the viceroy was inspired by what was then practiced in other cities such as Cadiz the port of departure for the Indies and point of arrival for the Carrera de Indias , where a regulation similar to that of Mexico City had been issued just a few months before.

    Thanks to the local periodical press, we now know that the municipality of Cadiz was inspired by the devices and technologies that were already being tested in the cities of the Netherlands Cadiz, the point of contact between metropolis and empire, was a crossroads of cosmopolitan connections, and served as a place where anything and everything was exchanged: not just products, but technical knowledge and policing techniques as well.

    These inhabitants often failed to fulfill their obligations by arguing that they could not afford it. Between and , the progress of lighting was therefore driven mainly by the various urban authorities, who tried to set an example. In , we can estimate that there were around fifty lanterns that were lit from six in the evening to midnight, except on nights when the moon was full. Many of their problems were financial and fiscal. The city was faced with numerous questions: Who should bear the cost of setting up and maintaining the system: owners, tenants, or the municipality 25?

    How should the city control the prices of oil and wicks which, following this regulation, were the object of speculation? These issues gave rise to more questions: Is it wiser to place the lanterns on a rope stretched in the middle of the street like they do in Paris, or should they be fixed to the facades of buildings? At what height and should they be hung, and with what spacing 27? The ideal would of course be to bring them closer together, but this involved making more lanterns, which would affect the overall cost. Should regular candles, tallow candles or oil lamps be installed?

    Which fuel wax, grease or vegetable oil should be used, and would ideally produce light without generating smoke 28? When is it appropriate to light the lanterns, especially when taking moonlight into account? Is it necessary to illuminate the streets all night, or only until midnight?

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    Who should be responsible for lighting, monitoring and maintaining the lanterns, whose glass walls tend to blacken because of the smoke? He handed over his project, accompanied by a reproduction of these gaditano lanterns, to the municipality in This instrument, called the photophore, was an improved lantern with mirrors made to be mounted on a lamppost that had been invented by a Frenchman, Mr. Lambert, and previously presented to the Berlin Academy Technical debates on the quality of the oils used, the different fastening systems, and various filling techniques were launched.

    Ultimately, the use of lampposts became widespread in European cities during the years between and Two factors allow us to confirm this: first, the cost of each unit more than 30 pesos, equivalent to three months' salary for an apprentice , and the testimony of a traveler. In , the famous naturalist Alexander von Humboldt stayed in the capital of New Spain after visiting various other American cities. Mexico, he added, was distinguished by its "good urban policing" 31 , thus establishing a close link between urban order and lighting.

    The street lamps consisted of a tin lamp with a wick fed with turnip oil, surrounded by a glass-walled frame and mounted on a supporting fixture. In total, around two hundred streets were lit from dusk until two in the morning, except on moonlit nights. Here we can find the old opposition between the Spanish Republic central, linear, and with stone buildings and the Indian Republic on the edges of the city, with irregular roads and adobe houses.

    http://kamishiro-hajime.info/voice/espionner-un/comment-pirater-un-i-iphone-6s.php The geography of illuminated Mexico thus reveals the differentiated treatment of space in urban management. The real effectiveness and direct effects of this permanent nocturnal illumination was also dubious with regard to the prevention of misdemeanors and crime. The low light emitted by widely spaced street lamps generated a light whose brightness was relative.

    Furthermore, lighting the streets had a double-edged result: visibility was not just better for those protecting the city, but also for perpetrators who could escape or identify their targets much more easily From then on, the service was entrusted to a private contractor contratista. This project, which was never to be realized, nevertheless introduced two innovations. The second innovation came from the creation of a corps of municipal lantern lighters. Each lighter would be in charge of a dozen lanterns, for which they would be paid 15 pesos a month.

    It seems that this project, which Bucareli declined to take up, was nevertheless consulted by Revillagigedo in at the beginning of his term. He ultimately integrated the main points of the project into his lighting plan, in particular the guardafaroles provided for in his April regulation The plan to tax shopkeepers, however, was not retained.

    Was it because a new tax might threaten to disturb the peace? Revillagigedo certainly remembered the riots of March against Esquilache in Madrid, which he had witnessed first-hand. During the tumult, these lanterns were the target of popular wrath According to the plan, public lighting would be financed by a tax of three reals on each recorded load of wheat flour.

    The regulation of , therefore, was the culmination of nearly thirty years of regulations, reflection, projects and trials that aimed to illuminate Mexico City at night. Furthermore, the measure was the subject of remarkable publicity.

    Madrileños por el Mundo: Nápoles

    On his desk, there is a plan for urban development, an accounting list is it the registry of the inhabitants of the city in ? In this portrait, one can find both a summary of the measures taken up by the viceroy who is painted as a prudent decision maker , and a prime example self-promotion.